Friday, March 23, 2012
Baseball seduces without loving back in "The Might Have Been"
The game is a drug many old ballplayers are too weak to resist, its allure perhaps strongest to those whose career didn't follow the course they had mapped out as kids. Edward Everett Yates never envisioned it would take him ten years to reach the St. Louis Cardinals. His long-imagined debut hadn't included being ordered to bunt in his first—and only official—plate appearance. He may have dreamed of hitting for the cycle, but nowhere in that vision was the game washed out of the record books as he hung by his cleats from the outfield fence in Montreal, rain pelting his face as pain pulsed in waves from his shredded knee up through his body until he finally blacked out.
To tab Yates, or Edward Everett as he's called throughout, the hero of Joseph Schuster's The Might Have Been is to upsell his lot in the baseball landscape. There's little heroic about him, next to no glamour in his life once he returns to the bush leagues, never again to sniff major league air. As a young man his self-absorption sows the seeds of the loneliness that will plague him well into middle age. His only constants are baseball and regret, and in many regards the former fuels the latter.
For my full review, please visit BaseballAmerica.com.